Garden State

Ok, so I know that I'm coming late to the party, but I just watched Garden State last night for the first time. I know it's pathetic for a former self-proclaimed pop culture junkie, but give me a break, I have 2 kids under the age of 4. Anyway. If you're later to the party than I am and haven't yet seen Garden State, but want to preserve some suspense for yourself, you might want to get off the Parkway at the next toll. In other words, stop reading because I'm going to give away key portions of the movie.

Pretty good flick and I was particularly impressed when I got to the end and saw that it was written and directed by Zach Braff. He has more going on than I thought. Clearly this movie is to Zach Braff what Good Will Hunting was to Damon and Affleck and what Mr. Deeds was to Adam Sandler. For him, it's a movie about home and it has particular appeal to those of us who enjoyed the ignominious pleasure of growing up in the Armpit of America. (Incidently, do you know that the guy who named Jersey the Garden State was on a boat several hundred feet from shore when he did?)

As I watched and caught up with the particular angle on life Garden State takes, I had two thoughts--first, that it's a very postmodern film, allowing the viewer to fill in some blanks or be satisfied that not everything is going to be worked out cleanly and secondly, that it reminded me quite a bit of The Graduate. Similar aged guys who seem to be floating through life, influenced more by other people initially than any force of conviction that they possess. I actually think Braff acts quite a bit like Hoffman's character and wonder if he used it for inspiration at all.

Anyway, there's a disappointing difference on both of those counts when it comes to the ending of GS. One of the things I love best about The Graduate is that at the end, Hoffman drives his Alfa Romeo all night and runs out of gas and finally gets to the church, and gets the girl. They go running out of the church. Then they jump on a city bus and in one of the great movie scenes of all time, the camera zooms in on their faces, her sitting in her wedding dress, him in his dirty jacket looking quite unkempt and the look on their faces is completely unresolved. They look happy, they smile at each other and then they face forward and have this look that kind of says, "what did we just do?" and then there's a hard cut to black. That's how the movie ends and it is completely left up to the viewer to decide what happens with these two people. It's not a cheesy sequel setup or anything, but a strong statement about how life doesn't quite so easily resolve itself as is often portrayed in art. I get the feeling that Braff wanted to do the same thing in Garden State, but essentially he wussed out and gave it a very traditional happy ending where his and Natalie Portmann's character get together. His character even says something about "not putting a period on this thing, just an ellipsis" but then he goes ahead and cheeses out by getting off the plane.

My question is why can't anyone make a decent truly postmodern movie that doesn't resolve itself? Do we all need the comfortable G chord at the end instead of hanging on a nice A minor?